One of the biggest challenges of wearing and writing about every day fashion is acquiring editorial pieces that have been featured in a magazine ad or TV commercial.
The last time I tried to buy a black tiered skirt by H & M that I saw in their ad in Elle magazine, I almost lost out at their store in Century City because their last one was a small. Since I wear a medium, I took a chance and hoped I it would fit.
This time, my challenge was acquiring the red and pink color block dress I saw in an Old Navy commercial on TV one day. Just like the H & M skirt I knew it would look good on me, and fit in with my sartorial aesthetic.
Unfortunately, when I first tried to buy it online, it was out of stock, so I knew it was going to be a tough path to my dream dress. As I looked at all the crossed out sizes on the order page I heard the sales clerk’s voice from H &M telling me when I bought their black skirt, “It’salways hard buying something editorial because when everyone sees it they rush out and get it.‘
Dejected, but not beaten yet, I decided to check out the Old Navy site again a couple of weeks later to see if the dress was back in stock. To my surprise it was, and joy of joys, it was also in my size and on sale!
If you’re wondering what the moral to this style tale is, it’s this, never give up on a garment no matter what because if it’s meant to be yours you’ll eventually get it.
Another feature of the “Every Day Fashion: Style for the Mainstream” blog I will be introducing, and posting every Sunday, will be called “Weekly Fashion Observations”. It will consist of descriptions I record whenever I see someone during the day who I think is wearing a great outfit or has a lot of style. I feel these observations really represent the spirit of “Every Day Fashion” because they tell a wearer’s sartorial story truthfully and boldly.
I’ve always adored makeup, even though I rarely saw myself as an African American female depicted in Maybelline or Cover Girl ads, when I was growing up during the ’60s and ’70s. Of course there were the models Sandi Collins, Donyale Luna, Pat Cleveland, Beverly Johnson and Naomi Sims, but they always seemed too perfect for me to relate to. Instead my mother Jacqueline, was my role model. Elegantly dressed in Evan-Picone separates and suits, hair perfectly coiffed, and makeup impeccable she was the epitome of chic. In February, when she passed away at 82, this is the version I remember of her, and still look to for inspiration.
The Department Store
The only other time I really examined and became aware of how much makeup could enhance one’s looks was during my Freshman year at Holy Names College the private university I attended from 1979-1980 in Oakland, California. At 17 1/2, and fresh out of a six-week makeover course at John Robert Powers Modeling School I was happy with the tailored pants, colorful blouses, midi skirts, pullover sweaters, soft dresses and heels I wore, but I didn’t feel the same about my makeup. Back home, in Los Angeles, California the simple “makedown” technique I learned at JRP didn’t suit my new lifestyle and I needed an update.
“You should go to San Francisco, then visit one of the major department stores there, and have a makeup session with a cosmetics clerk.”
I consulted one of my new friends, an African American model, and asked her what to do. “You should go to San Francisco, then visit one of the major department stores there, and have a makeup session with a cosmetics clerk,” she said. “After she shows you how to apply everything, you should buy it, so you can do your own makeup once you get back to school.” Unfortunately in 1979, there was still a lot of bias against African Americans, within the beauty industry,, so I wasn’t surprised when the Caucasian clerk I worked with at the Cosmetics counter, didn’t know how to help me at first. Finally after experimenting with a variety of foundations, concealers, blushes, eye shadows, and lipsticks she found the perfect combination for my olive skin tone. She even suggested blue, pink and purple eyeshadow to bring out my brown eyes and deep fuchsia lipstick to balance my overall maquillage. Slightly disco, but radiant, the two hours I spent recreating her expertise everyday in front of my dorm room mirror increased my self-confidence when I most needed it.
Dealing with Beauty Challenges
Besides not seeing enough Black representation in Vogue, Harper’s Bazaar and the other fashion magazines I’ve read throughout the years, personally I’ve had issues with acne, vitiligo, skin discolorations and dark spots caused by lupus and Stage II A Breast Cancer. Now that I’m older, I’m also dealing with challenges related to age. Despite all of this I’ve become more determined than ever to find makeup companies that’re inclusive regardless of the race, age, sex or lifestyle of their target market. It was during this continuous search that I discovered Juvia’s Placehttps://www.juviasplace.com/.
Juvia’s Place Makeup
Created by Chichi Eburu, an entrepreneur from Nigeria, it premiered in 2015. Working with the small budget of $2,000 out of her apartment, her goal was to offer a line that complimented darker skin tones. Initially I was hesitant about how the makeup would look on me, since my skin is medium-toned and I have a plethora of facial issues, but once I perused the website I decided to try it anyway. After ordering the I Am Magic Velvety Matte Foundation, the I Am Magic Concealer, the Multi-Purpose Foundation Sticks, the Afrique Blush, the So Red Velvety Matte Lipstick and the Masquerade Palette eyeshadow kit I applied my purchases and photographed myself wearing my pink and blue Oh Shitake! print Zuri dress.
Vibrant and complimentary I truly felt like Nefertiti, or one of the other African queens that inspired Eburu, when she envisioned this line. Truly inclusive, I later discovered her customer base “includes men, women, and individuals with all types of skin tones.” Besides the stunning packaging, the other thing that sets Juvia’s Place apart, within the industry, is the way Eburu was able to become successful by emphasizing “the African concept of beauty” instead of the European. She even named her company after her two children-Juwa, her son and Olivia, her daughter. Her ultimate goal? “To make blackness as mainstream as its counterparts and for people to see and love blackness.”
Ever since I first saw the beautifully patterned dress and Zuri.com http://www.zuri.com I wanted one. Finally when they’re pink and blue mushroom print oh Oh Shitake! hit the site I took the sartorial plunge and put it on my wish list.
Made out of 100% washed cotton Kitenge cloth sourced from Tanzania the mid-weight fabric stands away from my body elegantly. Side pockets and a row of black buttons sewn down the front complete the spacious silhouette.
Created in 2016, when New York fashion designer Sandra Zhao married invention with necessity the dress is comfortable, versatile and attractive enough to be worn anywhere. For Zhao, that included “her travels to the southern Sudan from her home in Nairobi Kenya.”
LBD (“little black dress”) classic, but also unique as a snowflake, she discovered it was a conversation-starter as well. On the day she attended a wedding, wearing the dress, another guest Ashley Gersh Miller approached her and proposed they become business partners and start a company together. Launched in 2017, they named it Zuri which means “beautiful” in Swahili.
“Zuri means beautiful in Swahili”.
One of the biggest selling points of the design is it accommodates most sizes, ages, and lifestyles within its large demographics. Another big selling point is his flexibility. Whether worn with a sun hat and shades, as a tunic top over black leggings, or as an open coat over a white tee and slim cut jeans it’s the perfect addition to any woman’s wardrobe.
Although all of these reasons, and the $145 price tag, are why I considered buying a Zuri dress, my purchasing decision was finally made when I realized it would allow me to express my African American heritage and comfortably deal with my lupus photosensitivity outdoors.
Challenging and stressful at times, especially in the sunny clime where I live, this side effect of the disease really impacts my social and professional life. To cope with it I continually search for clothes, like the Zuri dress, luxuriate in their stylishness, and remember while wearing them I’m a woman who is actually a warrior instead of a wounded victim with a challenging disability.
Product Rating: 5 Stars for affordability, comfort and versatility
Writing about fashion requires two things-a daily mental consumption of reading material (i.e., books, newspapers, internet articles, etc.,) and at least five minutes a day of free writing in a journal. The good thing about both of these rituals is they can be done anywhere-at the bus stop, on a break at work or in the waiting room at the hospital-with a minimum of effort and equipment. They’re also an excellent way to take a break from the online world of cell phones, computers and other devices and gain inspiration old school.
Since fashion is my passion I buy as many books from the genre that I can to include in my own personal library for research. Below is a list of the top ten books I recently bought and think should go in any fashion book lovers library.
Victoria Moore’s Fashion Book List:
Vogue, the gown, Jo Ellison
Guo Pei Couture Beyond (Exhibit at the Bowers Museum)
The Stylist, Rosie Nixon
Adorned In Dreams, Elizabeth Wilson
Fashion Brands, Mark Tungate
buy-ology: Truth and Lies About Why We Buy, Martin Lindstrom
Bonnie Cashin, Stephanie Lake
Basics Fashion Design STYLING, Jacqueline McAssey and Clark Buckley
Icons of Style: A Century of Fashion Photography (Exhibit at the Getty Museum)
Tonne Goodman: Point of View
Sadly the acquisition of these books will require persistent hunting, especially if you live in L.A., where the number of small independent bookstores are disappearing. Despite that I’ve given you a list of my favorite online and onsite places below.
Mar Vista Branch Library (They have excellent buys at their regular book sales), 12006 CA-187, L.A., CA. 90066, (310) 390-3454, http://www.lapl.org. Hours: Open Mondays and Wednesdays 10-8 pm, Tuesdays and Thursdays 12-8 pm, and Fridays and Saturdays 9:30-5:30 pm.
I wanted to clarify my reason for writing about the beautiful black skirt I bought at H & M in the light of their current troubles over the blatantly racist sweatshirt that’s been recalled by their company. I’m an African-American fashion/feature writer, in a field that doesn’t have a lot of representation from my culture, so I’ve faced my share of racism. Instead of refusing to wear or buy their clothing I want to show them, and others in the industry, the real face of their customers to further educate them about who we are and what we really represent and look like. For me, the only way to confront racism is head-on with unflinching assertiveness. If they learn from this and become a better, more inclusive company, the effort was worth it.
The Ultimate Separate: The Black Skirt
In 1979, when my mother bought a gorgeous black skirt suit by BIS for my high school graduation from Westchester High School from Bullock’s Wilshire black skirts were easily accessible.
But when I wanted to buy the retro boho multi-tiered black skirt from H & M, a couple of years ago, that was featured in a Vogue editorial ad it was a trial. Why?
It couldn’t have been the price, since my BIS suit was $300 and this skirt $19.99. It couldn’t have been the style, since both have classic silhouettes.
Recently, when I bought a stunning green, brown and white vintage 1970s maxi dress from etsy.com for $40, from a dealer in Poland, instead of at my local Goodwill Thrift Store I realized what it was.
Despite the plethora of fashion bloggers, journalists, stores and websites promoting excellent designs and killer buys, the consumer isn’t receiving the message. There seems to be a big disconnect. The clothes that need to be worn as representatives of intelligence and good taste languish un-bought while inexpensive, passe trends are displayed briefly, then discarded on random bus benches and trash cluttered streets.
Anyone who’s paying attention knows by now that needless sartorial waste is a no-no the fashion industry’s trying to correct. Of course we have other problems to deal with besides finding the perfect black skirt, such as the closing of over 130 LAUSD school libraries, homelessness, and the sad reality that L.A. is now the second worst dressed city in the country, and 44th in education. But if a woman does make the decision to purchase one it can solve her immediate wardrobe problems by becoming a reliable staple item that will never let her down. Paired with a crisp white shirt it can take her to work and dinner with a change of shoes and layered over leggings it can easily be worn for dance class.
Looking Back to the 1940s
Edna Woolman Chase (1914-1951) editor of American Vogue in 1942 really understood the magic of a black skirt. “They are as great a standby as a black sweater,” she wrote in the article Skirt Story. Meant to purchased as an “investment piece” it served the same purpose then as it does today by being versatile and long lasting. Compared to trendier fare, ubiquitously worn by everyone who has a pulse, it has the flexibility of hamburger without undue flash.
Blessedly, all-black is no longer as pervasively popular as it once was, making room for the black skirt to make a come back as part of an ensemble that can include a floral print blouse, funky statement tee and vintage embroidered cardigan sweater for work 9-5. After 5, that same blouse and cardigan can be accented with a multi-strand necklace for a fancy dinner date or concert.
For retailers, who mistakenly thought “corporate dress or all-black” would help their sales staff increase their sales and customer service skills with a uniform instead of individual style, the black skirt would help them teach their female employees how to coordinate their work attire appropriately, easily and inexpensively. Since a major component of fashion retail is based on helping consumers buy items for their wardrobe the sales staff that reflects an attractive appearance, from their own imagination, is more qualified to improve a company’s image than a conformist who wears a uniform.
A Wardrobe of Black Skirts
In between my Undergrad years, at CSULA, to my Grad years, at Academy of Art University online, I’ve collected 15 black skirts that have steadfastly helped me look pulled together whenever I wear them. For my day job as a Special Education Instructional Assistant for LAUSD at Leo Politi Elementary School in Koreatown, I’ve regularly worn the long black skirt I bought at Ross Dress For Less with either a cool tee from snorgtees.com or a lightweight pullover sweater from Forever 21, my beige trench coat from amazon.com and a pair of sneakers. Comfortable as a pair of jeans, it’s perfect for my long walks to and from the bus stop, before and after work, and a long six hour shift in the classroom.
I’m just as well prepared for my off-duty social life, with a vintage velour bubble skirt I bought at my favorite Goodwill Thrift Store, and a retro self-belt taffeta one I bought at Ross Dress For Less. Combined with a lovely vintage top and pearls they’re an evening stand out.
The Perfect Black Skirt for Today
“There are few women who can wear every type of skirt,” wrote Christian Dior in The Little Dictionary of Fashion. Personally, I’ve found that to be true of every garment, and despite my thin frame, I still have to work hard to find the right clothes for my budget, lifestyle and body.
Caught between my obligation to always “dress and represent”, as a requirement for AAU, and a need to be comfortable at LPES I wanted to find another black skirt to fit both worlds. My hunt officially started after I’d bought a pair of black sneakers from H & M online. They were too big so I had to exchange them at their store in the Westfield Century City mall. I thought while I was up there, I’d buy the black boho multi-tiered skirt I saw in the Vogue ad.
Everything was going great-they had a pair of black sneakers in my size and the blue and white/floral shirt I’d had my eye on was on the Sale rack. Then when I showed the cashier the ad and asked about the skirt things got shaky.
“I’m not sure we have any left,” she said. “If we do it’s a Petite.”
“May I see it please? I’d like to try it on anyway,” I said.
She asked another clerk, who was working on the floor to see if they had any more, and if they did, to bring it to me. When he found it, he carried it to me, holding it with the delicacy of an Egyptian artifact. He then repeated what the cashier said, “It’s the last one and it’s a Petite.”
“Are you planning on stocking any more soon?, I asked. “No,” he said. “We’re lucky we have this one, because as soon as it was featured in the magazine ad it shot off the racks. Editorial items always sell out quickly.”
“Okay, I understand that, but why was this particular skirt so popular?,” I asked.
“It looks good on almost every body type and it’s versatile enough to be worn with a tucked in or loose fitting top,” he answered.
“Well, I usually wear a Medium, but you never know with sizing, so I’ll try it on and see if it fits,” I said, taking the skirt from him, and heading for the fitting room.
Doubtful, and holding my breath in anticipation, I slipped it on then exhaled with relief when it fit perfectly.
It’s been more than a year since I bought this skirt, and although I haven’t worn it yet, I know its timeless silhouette makes it a worthwhile addition to my collection.
Fashion Coordination Tips for Black Skirts (2019):
Work:Power Separates The Easy Way (Pair a mid-calf A-line black skirt with a white button-down shirt, striped short-sleeved Breton shirt, or plain crewneck pullover sweater, then top with a mini trench coat and accessorize with a structured bag, colorful scarf, shades, and ballet flats or sneakers.)
Casual: Fun, Fun, Fun Days (Pair a long straight black skirt with a t-shirt then top with a cotton, army or denim jacket and accessorize with sneakers or sandals, shades, a baseball cap or bucket hat.
Formal Evening: Swanky Times (Pair a mid-length retro full black skirt with a sequined shirt and decorative cardigan or bolero jacket and accessorize with black decorative pantyhose, pointy-toed flats, a turban and clutch bag.
Rei Kawakubo/Comme des Garcons, Japanese Designer. Sweater and skirt, 1984.(Berg Fashion Library)
Bernhard Willhelm. Black with multicolored diamond design sweater, headpiece and skirt, 2002-2003. (Berg Fashion Library)
Junya Watanabe for Comme des Garcons, Japanese Designer. Black ensemble. “Linen blend jacket in the style of a man’s 19th-century tailcoat; wool skirt resembling a deconstructed trenchcoat.” Spring/Summer, 2016.
Woolman Chase, Edna. Fashion: Skirt Story. Vogue; New York, Vol. 99, Iss. 11 (Jun 1, 1942).
Dior, Christian. The Little Dictionary Of Fashion, Abrams, 2007.
"Black and white always looks modern, whatever that means."--Karl Lagerfeld
The color combination of black and white has always had special meaning for me. Racially its existence has defined most of my life as an African-American female, educated then employed first in a predominately Caucasian environment then a resegregated Hispanic one. Yet even among my own race the duality of my interests, and confusion about my lack of conformity, has forced me to carve out my own niche.
On one hand, I love soul food, am a great dancer, and a sharp dresser, but on the other hand, I’m equally passionate about books, writing, art, and antiques. Within this ridiculous quagmire, a sartorial rage bubbles beneath the surface whenever I’m confronted with racial issues causing frustration and confusion. To bring perspective and mental order back into my life I reach for the simple clarifying palette of black and white.
Classic dark shades and white and black tote bag from H&M
For the Spring/Summer 2018 season, the combo reigned again and even showed up online on Forever 21‘s website. Faux Mod styles looked graphically delightful and caused me to add the following to my wishlist for fall: 1) a black and white Gingham Cabby Hat ($12.90), (2) a Houndstooth Boxy Crop Top ($12.90), (3) a Striped Ribbed Mock Neck Tee ($10.90) and (4) a pair of Gingham Cropped Pants ($19.90). Fresh, young, but also versatile, they reminded me of Swinging London and ’80s New Wave.
“Black and white clothing is an age-old signal of servitude and humility,” wrote Jess Cartner-Morley in How to dress black and white (The Guardian, Fri. 19 April 2013). Traditionally worn by waiters, waitresses, priests, and nuns, it was my choice too as a salesperson during my brief stint with The Limited at the Century City Plaza in the 1980s.
Openly racist, I was told the first day, by the manager not to be offended if the White customers didn’t want me to touch their clothing because I’m Black. “Oh I understand,” I told her with a smile, letting her think I’d let it go. Inwardly seething, every time I helped a customer who was clearly prejudiced, I waited until she paid for her selection at the counter and touched everything. I even held them up to her saying, “You have great taste. This really suits you.”
Regardless, my black and white wardrobe then was far from subservient, and with a little updating, could easily be worn today. It consisted of five pieces: a straight white mini skirt, a straight black mini skirt, a white t-shirt, a pair of black cotton pants and a black shirt dress. Now, besides keeping the white tee the same, I’d replace the minis with an A-line tiered skirt and the straight pants with palazzos.
In 2015, black and white inspired designers again to go bold with “Op Art Stripes,” “Chessboards” and “not for the shy mixed prints.” Since black is defined as “evil” and white as “the color of maximum lightness” in dictionaries like Merriam Webster’s Pocket Dictionary it’s comforting to also know the Taoist Yin/Yang design is the culmination of these opposing elements.
Pearls on a hanger
Flipping the Trope
An outdated trope that’s equated black with negativity and white with positivity can easily be flipped when they’re used to symbolize the opposite. Earlier this year, a freshman student at Harbor Teacher Preparation Academy (LAUSD) chose to wear full Ku Klux Klan regalia to school for his final History project on racism. The white color, of the offensive clothing, subverted it from a shade of “purity, innocence, and brightness” into one of “confusion, emptiness, and isolation.” Like the character Don Fanucci in The Godfather, whose white suit represented pure evil, this student’s display also signified provocation.
When photographer Peter Lindbergh and fashion editor Grace Coddington, shot the layout Light Brigade for the March 2015 American Vogue the choice to use an all-Black cast of models in white garments, ala Picnic At Hanging Rock, was brilliantly inclusive. Back in 1975, when the film was directed by Peter Weir, and in 1900 when the actual crime occurred, you’d rarely see Blacks portrayed with such beauty in a magazine or film. By subverting the definitions of black and white, Lindbergh, Coddington and the models, Malaika Firth, Leila Nda, Imaan Hammam, Tami Williams, and Kai Newman, rewrote the trope for a new generation.
Victoria Moore in vintage black and white wool top
Black has it all,” said Coco Chanel. “White too. Their beauty is absolute. It is the perfect harmony.”
Is Color Important?“
“Research on the psychology of color consistently demonstrates that colors evoke emotional, behavioral and physical responses,” writes Carole Kanchier in What the Colour You’re Wearing Says About You (07/13/2012, Huffington Post). On a Sunday, during the last week of my Mad About Musicals online class, I wanted to do it up a big and take a personal field trip to the Cinemark Promenade Theater at Howard Hughes Parkway to see West Side Story. Inspired by the racial theme of the movie, and my own conflicted thoughts about the Klan sporting student at Harbor Teacher Prep, I chose a black and white outfit that aptly expressed my inner turmoil.
Black and white outfitcombination
Starting with the black and white houndstooth coat I’d bought at Forever 21 for the Shen-Yun dance concert I’d seen this Spring, I then added a black and white checked Who What Wear shirt I’d just bought at Target, a pair of wide-legged pants from T.J. Maxx, a rhinestone necklace from Fallas and a red, black and white Hello Kitty bag from Pink Memories. More distinctive, and clear-cut than my Shen-Yun outfit-a long black and white swirl print dress from Ross, black leggings, black and silver print Ked’s and a black and white African necklace-it nonetheless reflected my mood.
Betsey Johnson unicorn print purse
Classing It Up for Fall 2018 on a Budget
After doing preliminary research, in various top fashion magazines and online, I went to my local mall and shopped for Fall. First I went to T.J. Maxx and bought a pair of black and white glen plaid stretch pants, with a yellow stripe detail, for $14.99, and a gray and white striped button-down shirt for $10.00, then I went to Forever 21 and bought a black and white houndstooth scarf for $5.90, a five-pack set of black and white socks, and a pink crystal ring for color.
While this version of black and white is more sophisticated and retro than my previous incarnations, it’s still classic enough to be coordinated with my other pieces, and earn a place in my wardrobe and growing collection.
“Pearls were the perfect accessory for the little black dress,” wrote Debbie Sessions in 1950s Pearl Jewelry.
Fun Ways to Wear Black and White
White button-down shirt + black pants + black ballet flats + black purse.
Black dress + black and white cardigan + black tights + white and beige pointy-toed flats + white vintage Chanel purse.
Black and white print blazer or coat + white top + white capris.
White lacy dress + black leggings + black Ked’s + straw hat.
Black and white houndstooth coat + black floral dress + ankle boots.
“Stylist’s Tip: Punctuate a graphic look with bold red extras.”–Harper’s Bazaar “Check Please”
There are so many brands and styles of jeans on the market you could spend a whole year trying them on. Despite my fondness for the Mossimo jeans I bought this Spring at Target, the white skinny jeans from Ross, and the Blue Desire Midrise with the distressed hems from T.J. Maxx, my all time favorite type are pre-owned and vintage. Soft, worn in and characteristically inexpensive their main attribute is timelessness.
Paired with a feminine Ralph Lauren blouse they’re “shabby but chic” or with a pristine white tee and menswear blazer, they’re ’80s street. In homage to one of my prized separates, today’s post is all about how to coordinate them five different ways.
Mixing It Up with Florals and Stripes
Painter’s jeans are considered serious work pants when worn with a flannel shirt and steel-toed boots, but they can also be playful when worn with a blue floral jacket and a navy-blue and white Breton (sailor top). Perfect for a quick jaunt to your neighborhood Farmer’s Market or local art gallery, museum or used bookstore they’re tidy and chic.
Farmer’s Market: Baldwin Hills Crenshaw Plaza (Farmer’s Market, every Saturday 10 a.m. through 3 p.m.,seela.org 3650 W. MLK Jr. Blvd., L.A., CA. 90008, 323-290-6636).
The Museum of African-American Art: Baldwin Hills Crenshaw Plaza (Macy’s 3rd Floor, 4005 Crenshaw Blvd., Thursday-Sunday:12:00 p.m. to 5:00 p.m.,maaala.org). Please call about exhibits and special events.
The Whole 9 Gallery: 3830 Main Street, Culver City, CA. 90232, 310-836-4600. Please call for more information about hours, exhibits and special events. thewhole9gallery.com.
Cool Errand Gear
Distressed and faded Levi’s can still be stylish and versatile when mixed with a vintage white cardigan, statement belt, and shades. The patina and wear of both items also give them a modern elegance. Slip this outfit on when running out to McDonald’s for a quick lunch, bank for much-needed funds or the cleaners with your suit for a job fair. Comfortable enough to be laid-back, but not so sloppy you’ll have to hide behind a nearby bush if you run into an old boyfriend, the structured lines of the jeans and sweater prevent it from being slovenly.
Baggy Hip-Hop Swag
Loose, baggy jeans add an extra saucy edge when coordinated with an oversized white Ralph Lauren shirt, vintage Levi’s jacket, and suede sandals. Then accessorized with a vintage red, white and black print vintage 1940’s doo-rag and oversized shades, it exudes a feminine allure to an ensemble comfy enough for a morning matinee at the Cinemark, artsy afternoon at LACMA (Los Angeles County Museum of Art) or craft and school supply haul at the Dollar Tree, JoAnne’s or Michael’s.
Distressed But Louche
If you buy a naturally worn and paint splattered pair of jeans from Timeless Treasures or another local thrift store, you can always dress them up with a knock-off Chanel-esque blazer to give them that high-low appeal that’ll take you to school and studying at the library afterwards, or dress them down with a grey retro Aerosmith tee from Ross, for a personal field trip to a Saturday yard sale. Brimming with lively backstories, if you’re lucky enough to find ones this authentic and beloved, they may soon accompany you on your own adventures, and collect tales picked up along the way, for the next owner to ponder over.
Sometimes it’s not just nice to comingle prints and patterns, but layers too. A cropped cardigan can be very smart when placed over a striped blue and white blouse then accented with a navy-blue and white polka-dotted scarf tie and cuffed vintage Levi’s. If you work somewhere semi-casual, arduous, yet with exposure to the public in a school or library this combo is just right for long shifts and hard physical tasks that would render nicer duds torn and tattered in minutes.
As you can see, the ways to coordinate vintage jeans are as varied as the occasions they can be worn too. With a little ingenuity and self-analysis, you can easily include them in your wardrobe and use them to add uniqueness and classical styling any time you need to.
The True Story of Jeans
1) “What textile are they made from?”
They are made out of a material called “denim”. Its name comes from the French term “Serge de Nimes” where they originated in Nimes, France.
2) “How is denim created?”
Denim is created from the weft of the “cotton twill” which goes beneath the warp “threads” before they’re woven together. To get the distinctive blue and white shade of traditional jeans, the warp is “dyed indigo” while the weft is left white.
3) “When were jeans first invented and by whom?”
Jeans were first invented in 1873, by Jacob W. Davis a Reno, Nevada-based tailor and Bavarian native, “businessman/entrepreneur” Levi Strauss.
4) “Which group first wore “blue jeans” and why?”
Cowboys and miners were the first groups to wear “blue jeans. They wore them because they were sturdy and held up well over time.
5) “How did they become so popular with the mainstream?”
James Dean in the film Rebel Without a Cause (1955) and Giant (1956) made them popular and okay for anti-establishment males to adopt them as an alternative garment that signified youthful rebellion and allegiance to a sub-culture separate from their 9-5 fathers. Marilyn Monroe in the 1961 film The Misfits did the same for females.
Goodwill Southern California Store and Donation Center, Culver Junction, 3340, 8950 Venice Blvd., L.A., CA. 90034, 310-845-9327. Hours: Sunday (10 a.m. to 8 p.m.), Monday through Saturday (9 a.m. to 9 p.m.), www.goodwillsocal.org. Online store (www.shopgoodwill.org), Ann Taylor Loft, Tommy Hilfiger, Lucky Brand, etc., (Under $50).
Etsy.com, Levi’s vintage jeans (Various prices, under $100), www.etsy.com
Timeless Treasures Thrift Shop, 9441 Culver Blvd., Culver City, CA. 90232, 310-559-8338. Hours: Tuesday, 11 a.m.-3 p.m., Friday, 11 a.m.-3 p.m., and Saturday, 11 a.m.-3 p.m.
Out of the Closet Thrift Store, 8224 Santa Monica Blvd., West Hollywood, CA., 90046, 323-848-9760. Hours: Monday-Saturday, 10 a.m.-7 p.m.