On the Saturday I visited and photographed the Department of Water and Power building at 4030 Crenshaw Blvd. I wouldn’t have noticed it if I hadn’t stopped to videotape a Juneteenth Day parade in front of the Baldwin Hills Crenshaw Plaza with my iPhone. Out of the corner of my left eye I saw it, and was so excited I started photographing it immediately from across the street.
Exhausted and hungry, following a busy morning at BLK MKT FLEA, I ignored the urge to go to the Krispy Kreme next door for a doughnut, and explored the site instead. While this Art Deco Modern building was conceived in 1954 and it has the “rounded edges and smooth wall finishes” indicative of the style the aspect that most fascinated me was how crisp, timeless, and glamorous it looks compared to the bustling urban blocks surrounding it.
A natural landscape of trees, grass and bushes effectively shade its walkways, and the variegated palette of green compliments the red brick and light brown walls of the structure. Overall, after perusing the site, and noting all of its diverse features, the most memorable thing about it was the way squares and rectangles are consistently repeated without making it look bland or boxy. As strong and bold as the Department of Water and Power Distributing Station No. 59 I visited previously, at 11701 Venice Blvd., this one also has an added touch of lightness representative of the early 1950s.
Department of Water and Power (4030 Crenshaw Blvd., Los Angeles, CA. 90008)
In the early 1980s, while I was attending SFSU as a Psychology major, I entered a particularly significant chapter in my life. Punk and New Wave were big then, and although I didn’t see a lot of African Americans sporting that aggressive and sometimes androgynous style, I gravitated towards it out of necessity.
For the majority of my last year at the school a stalker was making my life unbearable, causing me a lot of anxiety and eventually resulting in a return back home to Los Angeles. My look subsequently went from an ultra-girly ’80s imitation of Edie Sedgwick’s miniskirts and dresses, colored tights, pointy-toed vintage flats, 1960s go-go boots and heirloom vintage jewelry to a more masculine style of tight Levi’s, men’s pants, button-down shirts, vintage men’s blazers, sweaters and coats and high-topped Converse sneakers.
Due to the stress, from the experience, my hair also started falling out and my weight dropped to 110 pounds. I finally decided to solve my coif issues by cutting all of my hair off into a Grace Jones-esque cut. The bad news is the stalker forced me to leave a city and school I adored, but the good news is I transferred to CSULA where I changed my major to Fashion Merchandising, earned my BA, and became a professional fashion/feature writer.
I wish I could tell you that my experience with stalkers ended at SFSU, but following my graduation from CSULA, while working as a Circulation Page at Santa Monica’s Main Public Library I attracted a homeless stalker who caused me additional stress and grief. I finally took steps to legally stop him with restraining orders and regular police reports, then emerged stronger emotionally but permanently disabled with SLE Lupus. Still I was free and that’s all that mattered.
Throughout my trials with these two toxic individuals I was often told the way I dressed attracted others. Often imitated at SFSU, a day didn’t go by when one of my fellow students didn’t come up to me and ask me where I bought my clothes, ask to borrow something, or say I inspired them. San Francisco and Los Angeles had vastly different clothing scenes then, because stylish people abounded and strove to look unique and always wear something no one else either had or had discovered yet.
Today, especially in L.A. while I still loved dressing stylishly, the majority of people I see daily and work with as a Special Ed Instructional Assistant for LAUSD seem to lean towards conformity and hyper-sexuality in uniforms of all-black, skinny jeans and tight t-shirts and leggings with bra tops, tight skirts and sky-high heels.
Bringing Back the 1980s
Lately I’ve seen a reprisal of the ’80s look online, courtesy of model Kaia Gerber, and in Elle magazine. Feeling nostalgic, and a little motivated to inject some personality into two redone looks, I rewrote their visual scripts with color, print and texture. The first one, of Gerber, in a black leather shirt, black top and black joggers or sweatpants I re-did with a forest green trench coat from Forever 21, a pink pullover sweater from Target, and a pair of burgundy joggers from Fallas Stores. Her only spot of color, a pair of navy-blue Converse high-tops I replaced with a pair of multi-colored Harajuku Lovers high-tops. Comfortable and easy to move in, it was the perfect outfit for my doctor’s appointment at Kaiser-Permanente.
The second look, a variation on the Saint Laurent by Anthony Vaccarello shorts, white button-down shirt and black blazer, I re-did with a black and white pinstriped Norma Kamali blaze from the Goodwill Thrift Store on Crenshaw Blvd., a black and white striped button-down shirt and a pair of denim capris from Thredup.com. Dressy, but fun, it was just the ticket for my solo field trip to see Sting’s musical The Last Ship at the Ahmanson Theater in Downtown Los Angeles.
Priced at about $50 for each outfit, the best part of copying these two looks was I did it on a budget and I got to re-visit a time in my life when I wasn’t as empowered or wise as I am today. I’d like to think my openness to change and grow, despite adversity, had something to do with it.